This is a bibliography covering the various aspects of the Claimed From Stationers’ Hall music research project. It’s a work-in-progress, now in its 5th edition, and suggestions for further additions are warmly welcomed. (Uploaded 13 February 2019.)
NB blank headings have been left for documentation about the institutions themselves, as well as about their libraries. So much information was accumulated about the University of St Andrews, that it seemed prudent to leave space for any similar material in connection with the other legal deposit libraries. Headings cover the following topics:-
- Copyright and Legal Deposit, & Publishing History (General)
- Copyright and Legal Deposit, & Publishing History (Music)
- Individual Institutions and Their Libraries:
- British Library
- Lambeth Palace (Sion College holdings)
- National Library of Scotland
- Trinity College Dublin [currently blank]
- Trinity College Dublin University Library
- University of Aberdeen [currently blank]
- Aberdeen University Library
- University of Cambridge [currently blank]
- Cambridge University Library
- University of Glasgow [currently blank]
- Glasgow University Library
- University of Oxford [currently blank]
- Bodleian Library
- University of St Andrews
- St Andrews University Library
- Overseas legal deposit
- Cultural History: Reading, Music, Dance etc.
- Digital Humanities
Bibliography: Legal Deposit Music Claimed From Stationers’ Hall (AHRC Research Network)
compiled by Karen E McAulay, Royal Conservatoire of Scotland
Copyright and Legal Deposit, & Publishing History (General)
Adam Matthew Digital, Literary Print Culture: The Stationers’ Company Archive, 1554-2007 http://www.literaryprintculture.amdigital.co.uk/ [accessed 12 October 2017].
Alexander, Isabella, Copyright Law and the Public Interest in the Nineteenth Century (Oxford ; Portland, Or.: Hart, 2010).
Alexander, Isabella, and H. Tomás Gómez-Arostegui, Research Handbook on the History of Copyright Law (Cheltenham: Edward Elgar Publishing, 2016).
Arber, Edward, A List, Based on the Registers of the Stationers Company, of 837 London Publishers … between 1553 and 1640. (Birm., 1890)
Arber, Edward, A Transcript of the Registers of the Company of Stationers of London, 1554-1640 A.D ([New York]: [P. Smith], 1950)
Beavan, Iain, The Nineteenth-Century Book Trade in Aberdeen, with Primary Reference to Lewis Smith ([Aberdeen: Robert Gordon University, 1992)
Bell, Maureen, ‘Entrance in the Stationers’ Register’, The Library, VI.16 (1994), 50–54
Bently, Lionel Bently and Martin Kretschmer, Primary Sources on Copyright http://www.copyrighthistory.org/cam/index.php [accessed 4 November 2018].
Bergel, Giles, ‘Ballad Trade – Literary Print Culture’, Literary Print Culture: The Stationers’ Company Archive, 1554-2007, 2018 http://www.literaryprintculture.amdigital.co.uk/Essays/GilesBergel [accessed 2 March 2018].
Cornish, Graham, ‘Copyright: Evolution or Extinction?’, Information Professional, 2018.
Deazley, Ronan, On the Origin of the Right to Copy : Charting the Movement of Copyright Law in Eighteenth-Century Britain (1695-1775) (Oxford ; Portland, Or.: Hart Publishing, 2004)
Deazley, Ronan, Martin Kretschmer and Lionel Bently, Privilege and Property : Essays on the History of Copyright (OpenBook, 2010) http://books.openedition.org/obp/1087 [accessed 21 February 2018].
Eliot, Simon, ‘“Mr Greenhill, Whom You Cannot Get Rid Of”: Copyright, Legal Deposit and the Stationers’ Company in the Nineteenth Century’, in Libraries and the Book Trade, ed. by Robin. Myers, Michael Harris, and Giles Mandelbrote (New Castle, DE.: Oak Knoll Press, 2000), pp. 51–84
Feather, John, ‘The Significance of Copyright History for Publishing History and Historians (Chapter 14)’, in Deazley, Kretschmer, Bently, Privilege and Property: Essays on the History of Copyright (2010)
Frith, Simon and and Lee Marshall, Music and Copyright, 2nd ed. (Routledge, 2013)
Glasgow, Eric, ‘Publishers in Victorian England’, Library Review, 47.8 (2013), 395–400. https://doi.org/10.1108/00242539810239561
Great Britain. Parliament, An Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of Such Copies, during the Times Therein Mentioned. (London: printed by the assigns of Thomas Newcomb, and Henry Hills, deceas’d; printers to the Queens most excellent Majesty, 1710).
Great Britain. Parliament. House of Commons, Extracts of so Much of the Returns Made by the Universities of Oxford and Cambridge, (pursuant to the Orders of the 1st July 1817 and 20th February Last) as State, Whether Any of the Books Claimed under the Late Copyright Act Have Been Omitted to Be Placed in their Respective Libraries, and how otherwise disposed of, House of Commons Parliamentary Papers, 1818 http://parlipapers.chadwyck.co.uk/saveditems/myArchive.do [accessed 22 March 2016]
Great Britain. Parliament, House of Commons., A List of Publications Entered at Stationers’ Hall, since the Passing of the Late Act Respecting Copyright, &c.; July 29, 1814. ([London]: [s.n.], 1815).
Great Britain. Royal Commission on Copyright, 1876, Report and Minutes of Evidence. The Royal Commissions and the Report of the Commissioners. Minutes of Evidence, Together with an Appendix, Preceded by Tables of the Witnesses and of the Contents of the Appendix. v, 40 ([S.l.]: H.M.S.O., 1878)
Kretschmer, Martin and Friedemann Kawohl, ‘The History and Philosophy of Copyright’, in Music and Copyright, ed. Frith and Marshall, 2013, pp. 21–53.
MacDougall, Warren, ’Smugglers, Reprinters, and Hot Pursuers: The Irish-Scottish Book Trade, and Copyright Prosecutions in the Late Eighteenth Century’, in The Stationers’ Company and the Book Trade 1550-1990, 1997, p. pp.151-183.
Myers, Robin, Michael Harris and Giles Mandelbrote, Libraries and the Book Trade (New Castle, Del.: Oak Knoll Press, 2000)
Myers, Robin, Records of the Worshipful Company of Stationers 1554-1920, microfilm reels (London, 1985)
Myers, Robin, ‘The Records of the Stationers’ Company; Their History, Importance and Use – Literary Print Culture – Adam Matthew Digital’, Literary Print Culture: The Stationers’ Company Archive, 1554-2007, 2018 http://www.literaryprintculture.amdigital.co.uk/Essays/RobinMyers [accessed 2 March 2018].
Myers, Robin, and Worshipful Company of Stationers, The Stationers’ Company Archive : An Account of the Records, 1554-1984 (Winchester: St. Paul’s Bibliographies, 1990)
Myers, Robin, and Michael Harris, eds, The Stationers’ Company and the Book Trade, 1550-1990 (New Castle, Del. : Oak Knoll Press, 1997)
Myers, Robin, Michael Harris and Giles Mandelbrote, The London Book Trade : Topographies of Print in the Metropolis from the Sixteenth Century (New Castle, DE : Oak Knoll, 2003)
The National Archives, The National Archives – Homepage http://www.nationalarchives.gov.uk/help-with-your-research/research-guides/copyright-records-stationers-hall/ [accessed 31 January 2018]
Partridge, Robert C. Barrington and F. G. (Frederic George) Kenyon, The History of the Legal Deposit of Books throughout the British Empire. (London: Library Association, 1938)
Purday, Charles H. (Charles Henry), Copyright: A Sketch of Its Rise and Progress, the Acts of Parliament and Conventions with Foreign Nations Now in Force : With Suggestions on the Statutory Requirements for the Disposal and Security of a Copyright, Literary, Musical, and Artistic. (London: W. Reeves., 1877)
Ransom, Harry Hunt, The First Copyright Statute : An Essay on An Act for the Encouragement of Learning, 1710. (Austin: University of Texas Press, 1956)
Raven, James, The Business of Books : Booksellers and the English Book Trade, 1450-1850 (New Haven ; London: Yale University Press, 2007).
Sage Publishing, ‘Adam Matthew Digital Publishes The Stationers’ Company Archive, 1554-2007 | SAGE Publications Ltd’, 2017, Online [Press release] https://uk.sagepub.com/en-gb/eur/press/adam-matthew-digital-publishes-the-stationers’-company-archive-1554-2007 [accessed 12 October 2017].
Stationers’ Company, Index of titles and proprietors of books entered in the book of registry of the Stationers’ company … from 28th April 1710 to 30th Dec. 1773. (London, 1910)
University of Cambridge Centre for Intellectual Property and Information Law, ‘Primary Sources on Copyright – Home’ http://www.copyrighthistory.org/cam/ [accessed 31 January 2018]
Copyright and Legal Deposit, & Publishing History (Music)
Albinsson, Staffan, ‘Early Music Copyrights: Did They Matter for Beethoven and Schumann?’, International Review of the Aesthetics and Sociology of Music, 43.2 (2012), 265–302 https://www.jstor.org/stable/23342823 [accessed 12 January 2019].
Barron, Anne, ‘Copyright Law’s Musical Work’, Social and Legal Studies, 15 (2006), 101–27.
C., T.C., ‘Musical Proprietorship’, The Quarterly Musical Magazine and Review, Vol.3, 1820, pp. 151–54 [by ” T.C.C.”] https://archive.org/stream/bub_gb_WAUVAAAAQAAJ#page/n173/mode/2up [accessed 5 February 2019].
Carroll, Charles Michael, ‘Musical Borrowing: Grand Larceny or Great Art?’, College Music Symposium, 18.1 (1978), 11–18 https://www.jstor.org/stable/40373912 [accessed 12 January 2019].
Cathcart, Cynthia, ‘Pirates of the Middle Cs: Edward Bunting and the Pirated Editions of His 1796 Collection’, Bulletin of the Historical Harp Society, 24.3 (2014), 14–22.
Cooper, Paul, Paul Cooper, ‘Copyright Disputes between London’s Dance Publishers, 1810s’ https://www.regencydances.org/paper032.php [accessed 5 February 2019].
Cooper, Paul, Paul Cooper, ‘White v. Gerock, 1818 (of Country Dances & Copyright)’ https://www.regencydances.org/paper014.php [accessed 5 February 2019].
Coover, James, Music Publishing, Copyright and Piracy in Victorian England : A Twenty-Five Year Chronicle, 1881-1906, from the Pages of the Musical Opinion & Music Trade Review and Other English Music Journals of the Period (London: Mansell Publishing Limited, 1985)
‘Copyright Question: Leader and Another v. Purday’, Musical World, 1849, p. Vol.22, Supplement, pp.741–44
Frith, Simon, and Lee. Marshall, Music and Copyright, 2nd ed. ([s.l.]: Routledge, 2013)
Hunter, David, ‘Review: Music Publishing, Copyright and Piracy in Victorian England: A Twenty-Five Year Chronicle, 1881-1906, from the Pages of the Musical Opinion & Music Trade Review and Other English Music Journals of the Period by James Coover’, Notes, 45.1 (1988), 64–65 https://www.jstor.org/stable/941396 [accessed 21 October 2015].
Hunter, David, ‘Music Copyright in Britain to 1800’, Music & Letters, 67.3 (1986), 269–82 https://www.jstor.org/stable/735889 [accessed 21 October 2015].
Hunter, David, ‘Music [Chapter41]’, in The Cambridge History of The Book in Britain, Vol.5, 1695-1830, Ed. by Michael F. Suarez, S.J. and Michael L. Turner, 2009, pp. 750–61.
Hunter, David, ‘Review: Music Entries at Stationers’ Hall 1710-1818 by Michael Kassler’, Notes, 2nd Series, 61.4 (2005), 993–94 https://www.jstor.org/stable/4487489 [accessed 20 October 2015]
Kassler, Michael, Music Entries at Stationers’ Hall, 1710-1818 : From Lists Prepared for William Hawes, D.W. Krummel, and Alan Tyson and from Other Sources / Compiled by Michael Kassler. (Aldershot, Hants : Ashgate, 2004)
Kassler, Michael, The Music Trade in Georgian England (Farnham: Ashgate, 2011)
Krummel, Donald William and International Association of Music Libraries. Commission for Bibliographical Research., Guide for Dating Early Published Music : A Manual of Bibliographical Practices (Hackensack, N.J.: J. Boonin, 1974)
Krummel, Donald William English Music Printing 1553-1700, (London: The Bibliographical Society, 1975)
Krummel, Donald William and Stanley Sadie, Music Printing and Publishing, 1st American ed. (Basingstoke: W.W. Norton, 1990)
Langley, Leanne, ‘Regent’s Harmonic Institution’, Oxford Music Online, 2001.
Leader and Cock v. Purday, [court-case] 1849.
Lockhart, William, ‘Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain’, Music & Letters, 93.2 (May) (2011), 191–221 https://www.jstor.org/stable/41684166 [accessed 31 January 2018]
London Record Society, ‘Pleadings, 1784-1785: Nos 272-301 | British History Online’, British History Online, 2000 https://www.british-history.ac.uk/london-record-soc/vol35/pp117-127#h3-0028 [Attorney Charles Rennett, three music copyright lawsuits; accessed 4 October 2018].
McAulay, Karen E., Claimed From Stationers’ Hall: Research Network Blog, 2017-
McAulay, Karen E., ‘Review: Kassler, The Music Trade in Georgian England’, Fontes Artis Musicae Vol.59 no.1, 67-69 https://www.jstor.org/stable/42765555
Mace, Nancy A., ‘Charles Rennett and the London Music-Sellers in the 1780s: Testing the Ownership of Reversionary Copyrights’, Journal of the Royal Musical Association (Taylor & Francis, Ltd. Royal Musical Association, 2004), 1–23 https://www.jstor.org/stable/3557487
Mace, Nancy A., ‘Haydn and the London Music Sellers: Forster V. Longman & Broderip’, Music & Letters, 527–41 https://www.jstor.org/stable/737804
Mace, Nancy A., ‘Litigating the Musical Magazine: The Definition of British Music Copyright in the 1780s.’, Book History, 2 (1999), 122–45;
Mace, Nancy A., ‘The Market for Music in the Late Eighteenth Century and the Entry Books of the Stationers’ Company’, The Library, 10.2 (2009), 157–87 http://dx.doi.org/10.1093/library/10.2.157
Mace, Nancy A. and Adam Matthew Digital, ‘Printed Music, Copyright, and the Stationers’ Company Archives in the Late Eighteenth and Early Nineteenth Centuries’, Literary Print Culture: The Stationers’ Company, 1554-2007 [database], 2018
Miller, Derek, Derek Miller, Copyright and the Value of Performance, 1770–1911 (Cambridge University Press, 2018) https://doi.org/10.1017/9781108349284.
Monahan, Mark, Mark Monahan, ‘You Can’t Copyright Silence – There’s Too Much of It About’, The Telegraph, 28 September 2002 https://www.telegraph.co.uk/culture/music/rockandjazzmusic/3583315/You-cant-copyright-silence-theres-too-much-of-it-about.html.
Music Publishing & Collecting : Essays in Honor of Donald W. Krummel (Champaign, Ill.: Graduate School of Library and Information Science, University of Illinois at Urbana-Champaign, 1994), ed. David Hunter
Neighbour, Oliver, ‘Review on JSTOR: Kassler, Michael, Com. Music Entries at Stationers’ Hall, 1710-1818. From Lists Prepared for William Hawes, D. W. Krummel, and Alan Tyson and from Other Sources, with a Foreword by D. W. Krummel … (2004)’, The Papers of the Bibliographical Society of America, 2005, pp. 159–61 https://www.jstor.org/stable/24295856 [accessed 7 September 2017].
Neighbour, Oliver W. and Alan Tyson, ‘English Plate Numbers’, Musical Times, 106.1471 (1965), 683 https://www.jstor.org/stable/954181 [accessed 20 October 2015]
Nelson, Claire, ‘George Thomson and the ‘fraudulent’ Activities of Joseph Dale’, paper given at 17th Congress of the International Musicological Society (2002). [Trying to source printed edition other than abstract.]
Rabin, Ronald J. and Steven Zohn, ‘Arne, Handel, Walsh, and Music as Intellectual Property: Two Eighteenth-Century Lawsuits’, Journal of the Royal Musical Association, 120.1 (1995), 112–45.
Radsken, Jill, ‘Lurking in Your Favorite Song, the Law : Harvard’s Derek Miller Explains How Copyright Affects Creativity’, Harvard Gazette, 2018 https://news.harvard.edu/gazette/story/2018/11/harvards-derek-miller-explains-how-copyright-affects-creativity/?utm_medium=social&utm_campaign=hu-twitter-general&utm_source=twitter [accessed 5 December 2018].
Robertson-Kirkland, Brianna E., [guest blogpost], ‘Venanzio Rauzzini (1746-1810): Castrato, Composer and Copyright Obsessed?’, Claimed From Stationers’ Hall Blog, 2017. https://claimedfromstationershall.wordpress.com/2017/11/24/venanzio-rauzzini-1746-1810-castrato-composer-and-copyright-obsessed/ [accessed 13 February 2019].
Rodriguez, Eva Moreda, [guest blogpost], ‘The Wonders of the Spanish Legal Deposit, or: What Can Theatrical and Musical Plays Tell Us about Cultural Attitudes to the Phonograph?’, Claimed From Stationers Hall Blog, 2018. https://claimedfromstationershall.wordpress.com/2018/06/14/the-wonders-of-the-spanish-legal-deposit-or-what-can-theatrical-and-musical-plays-tell-us-about-cultural-attitudes-to-the-phonograph/ [accessed 13 February 2019].
Rooley, Anthony, Musical Turning Points : Entre’d at Stationers’ Hall ; the Pivotal Role of Stationers’ Hall in English Music 1600, 1700, 1800 (London: Worshipful Company of Stationers and Newspaper Makers, 2006).
Rowland, David, ‘Clementi as Publisher’, in The Music Trade in Georgian England, Ed. Michael Kassler, ed. by Michael Kassler (Farnham, Surrey: Ashgate Publishing, Ltd., 2011), pp. 159–91
Rowland, David, ‘Clementi’s Music Business’, in The Music Trade in Georgian England, Ed. Michael Kassler, ed. by Michael Kassler (Farnham, Surrey: Ashgate Publishing, Ltd., 2011), pp. 125–57.
Sepko, Delaina, ‘Curating Music Curation’ (University of Glasgow, 2015) http://theses.gla.ac.uk/6357/ [accessed 24 January 2017].
Seymour, David M., ‘This Is the Piece That Everyone Here Has Come to Experience : The Challenges to Copyright of John Cage’s 4′33″’, Legal Studies, 33.04 (2013), 532–48 https://doi.org/10.1111/j.1748-121X.2012.00262.x.
Small, John, ‘J. C. Bach goes to law’, The Musical Times, 126.1711 (1985), 526 https://dx.doi.org/10.2307/964456
Tyson, Alan, The Authentic English Editions of Beethoven (London: Faber and Faber, 1963).
University of Cambridge. Centre for Intellectual and Information Law, ‘Primary Sources on Copyright 1450-1900’ http://www.copyrighthistory.org/cam/ [accessed 23 March 2016].
van Allen Russell, Ann, ‘“For Instruments Not Intended”: The Second J. C. Bach Lawsuit on JSTOR’, Music & Letters, 83.1 (2002), 3–29
Wood v. Boosey and Another, [court-case] 1867, 2 L.R.340 [referenced by Lockhart, ‘Trial by Ear’]
Wood v. Boosey and Another, [court-case] 1868, 3 L.R.223. [referenced by Lockhart, ‘Trial by Ear’]
Commissioners for Visiting the Universities and Colleges of Scotland., Evidence, Oral and Documentary, Taken and Received by the Commissioners Appointed by His Majesty George IV, July 23rd 1826, and Re-Appointed by His Majesty William IV, October 12th 1830, for Visiting the Universities of Scotland. (London: H.M.S.O., 1837)
Golding, Rosemary, Music and Academia in Victorian Britain (Farnham, Surrey, England ; Burlington, VT: Ashgate, 2013).
House of Commons, Extracts of so Much of the Returns Made by the Universities of Oxford and Cambridge, (pursuant to the Orders of the 1st July 1817 and 20th February Last) as State, Whether Any of the Books Claimed under the Late Copyright Act Have Been Omitted to Be Place, House of Commons Parliamentary Papers, 1818 https://parlipapers.chadwyck.co.uk
King, Alexander Hyatt, ‘The History of Music Libraries in the United Kingdom’, Fontes, 25.3 (1978), 201–4 https://www.jstor.org/stable/23505247 [accessed 26 April 2017]
King, Alexander Hyatt, ‘Music Circulating Libraries in Britain’, Musical Times, 1978, 134–38. https://www.jstor.org/stable/960610
Lenneberg, Hans, ‘“Early Circulating Libraries and the Dissemination of Music”’, Library Quarterly, 52 (1982), 122–30
Lenneberg, Hans, ‘Music Circulating Libraries’, The Musical Times, 122.1666 (1981), 806 https://www.jstor.org/stable/961241
Lenneberg, Hans, ‘Response to “Early Circulating Libraries and the Dissemination of Music”’, The Library Quarterly, 53.1 (1983), 103–103 https://www.jstor.org/stable/961241
Squire, William Barclay, ‘Libraries and Music Collections’, in Grove’s Dictionary of Music and Musicians, ed. by J. A. (John Alexander) Fuller-Maitland (London: Macmillan, 1906), p. 704
Squire, William Barclay Squire, ‘Musical Libraries and Catalogues’, Proceedings of the Musical Association, 45.1 (1918), 97–111 https://www.jstor.org/stable/765605
Stam, David H. (ed.), International Dictionary of Library Histories (Fitzroy Dearborn Publishers, 2001).
Turbet, Richard, et al, Music Librarianship in the United Kingdom : Fifty Years of the United Kingdom Branch of the International Association of Music Libraries, Archives and Document Centres (Aldershot, Hants: Ashgate, 2003)
Individual Institutions and their Libraries
Arundell James Kennedy Esdaile, The British Museum Library, a Short History and Survey (Westport, Conn.: Greenwood Press, 1979)
British Library (London), Robin C. Alston and Anne Gilbert, The British Library : Past, Present, Future (London: British Library, 1989)
Chesser, Richard, ‘Music in the British Library: The Present and the Future’, Fontes Artis Musicae, 58.3 (2011), 325–32.
Cummings, William H.s, ‘The Formation of a National Musical Library’, Proceedings of the Musical Association, 4.1 (1877), 13–26 https://www.jstor.org/stable/765279
Deliot, Corine, and British Library Collection Metadata Data Services, ‘Downloads’. British Library Music (The British Library, 2018) http://www.bl.uk/bibliographic/download.html#csvmusic
Edwards, Frederick George, ‘The British Museum Library. I. Printed Music’, The Musical Times, 48.778 (1907), 777 https://www.jstor.org/stable/904355
Edwards, Frederick George, ‘The British Museum Library. I. Printed Music (Continued)’, The Musical Times, 49.779 (1908), 11-18 https://www.jstor.org/stable/904535
Edwards, Frederick George, ‘The British Museum Library. I. Printed Music (Concluded)’, The Musical Times, 49.780 (1908), 82–88 https://www.jstor.org/stable/904901
Esdaile, A, The British Museum Library : A Short History and Survey, With an Introduction by Sir Frederic G. Kenyon (London: George Allen & Unwin, 1946)
Harris, Philip Rowland and British Library, The Library of the British Museum : Retrospective Essays on the Department of Printed Books (London: British Library, 1991)
Harris, P. R. (Philip Rowland), ‘Writing a History of the British Museum Library’, Library History, 1998
King, Alexander Hyatt, ‘Music in the British Library’, Fontes, 1976, 101–2
King, Alexander Hyatt, ‘The Music Room of the British Museum 1753-1953. Its History and Organization on JSTOR’, Proceedings of the Royal Musical Association, 1952, pp. 65–79 https://www.jstor.org/stable/766212 [accessed 26 April 2017]
King, Alexander Hyatt, Printed Music in the British Museum : An Account of the Collections, the Catalogues, and Their Formation up to 1920 (London: C. Bingley, 1979)
King, Alexander Hyatt, A Wealth of Music in the Collections of the British Library (Reference Division) and the British Museum (London: C. Bingley, 1983)
King, Alexander Hyatt, ‘William Barclay Squire, 1855–1927, Music Librarian’, The Library, 12.1 (1957), 10–11
Oliphant, Thomas, ‘Memorandum Respecting the Music in the British Museum’, in [Antonio Panizzi], Panizzi Papers 1849-50, 1850, p. fols 294-5 [British Library DH1/1-15]
Scobie, Christopher, ‘Ephemeral Music?: – The “Secondary Music” Collection at the British Library’, Fontes Artis Musicae, 63.1, 21–32
Turner, Malcolm and Arthur Searle, ‘The Music Collections of the British Library Reference Division’, Notes, 38.3 (1982), 499 https://www.jstor.org/stable/939552
Turner, Malcolm, ‘Waving or Drowning? — the Growth of the Music Catalogues in the British Library on JSTOR’, Fontes Artis Musicae, 1989, pp. 297–304 https://www.jstor.org/stable/23507489 [accessed 26 April 2017]
Sherrington, Unity and Guy Oldham, Music Libraries and Instruments. Papers Read at the Joint Congress, Cambridge, 1959 of the International Association of Music Libraries and the Galpin Society …, 1st edn (London: Hinrichsen Edition, 1961)
Lambeth Palace (holds Sion College holdings)
Mandelbrote, Giles, ‘Proposals for Printing a Catalogue of Sion College Library (1721)’, Library and Information History, 32.1–2 (2016), 20–33
Palmer, Richard and Lambeth Palace Library, Catalogues, Shelf Marks and Other Evidence for the History of Lambeth Palace Library 1610-1785 : Lambeth Palace Library Research Guide, (London: Lambeth Palace Library, 2016) http://www.lambethpalacelibrary.org/files/library_records_1610-1785_part_a_1.pdf (The first of five parts covering up to 1952. See http://www.lambethpalacelibrary.org/content/libraryhistory)
National Library of Scotland
Boehme, Almut, ‘Music in the National Library of Scotland’, Fontes Artis Musicae, 58.3 (2011), 308–16
Cadell, Patrick and Ann Matheson, For the Encouragement of Learning : Scotland’s National Library 1689-1989 (Edinburgh: HMSO, 1989)
Duce, Roger, ‘The National Library of Scotland: Music Manuscripts and Special Collections of Printed Music / Roger Duce et Al’, Fontes Artis Musicae, 47.1 (2000), 3–9 https://www.jstor.org/stable/23509032 [accessed 25 November 2015].
National Library of Scotland, National Library of Scotland, ‘Digital Gallery. Special Collections of Printed Music’ https://digital.nls.uk/special-collections-of-printed-music/archive/97135480 [accessed 31 January 2018].
Trinity College Dublin
Parker, Lisa, ‘The Expansion and Development of the Music Degree Syllabus at Trinity College Dublin during the Nineteenth Century’, in Music and Institutions in Nineteenth-Century Britain, ed. Paul Rodmell (Ashgate, 2012), pp. 143–60.
Trinity College Dublin University Library
Fox, Peter, ‘The Librarians of Trinity College’, in Anne Walsh and Vincent Kinane, Essays on the History of Trinity College Library, Dublin (Dublin, Ireland: Four Courts Press, 2000)
Fox, Peter, Trinity College Library Dublin : A History (Cambridge ; New York: Cambridge University Press, 2014).
‘Legal Deposit – Collection Management : The Library of Trinity College Dublin: Trinity College Dublin, the University of Dublin, Ireland’ website https://www.tcd.ie/Library/collection-man/legal-deposit.php [accessed 27 January 2016]
Stanley, Roy, ‘Music Collections at Trinity College Dublin’, Brio, 39.2 (2002), 32–37
Walsh, Anne and Vincent Kinane, Essays on the History of Trinity College Library, Dublin (Dublin, Ireland: Four Courts Press, 2000)
University of Aberdeen
Aberdeen University Library
Aberdeen University Library Catalogue – Search Results for Stationers Hall Music https://aulib.abdn.ac.uk/F/?func=find-c&ccl_term=SHE=SH Mus [accessed 26 January 2016]
Beavan, Iain and others, The Library and Archive Collections of the University of Aberdeen : An Introduction and Description (Manchester: Manchester University Press with the University of Aberdeen, 2011)
Beavan, Iain, ‘Marischal College Library, Aberdeen, in the Nineteenth Century: An Overview’, Library & Information History, 31 (2015), 258–79 <https://www.tandfonline.com/doi/full/10.1080/17583489.2016.1145858145858
Cooper, Barry, ‘Catalogue of Early Printed Music in Aberdeen Libraries’, RMA Research Chronicle, 1978, 2–138 https://www.jstor.org/stable/25099342
Cooper, Barry, and Richard Turbet, ‘Catalogue of Early Printed Music in Aberdeen Libraries Supplement, 1979-1988’, RMA Research Chronicle, 33.1 (1990), 151–52 https://www.jstor.org/stable/25099411
Scottish Universities Commission (1826), Report Relative to the University and King’s College of Aberdeen. (London: H.M.S.O., 1830)
Turbet, Richard, ‘Music Deposited by Stationers’ Hall at the Library of the University and King’s College of Aberdeen, 1753-96’, RMA Research Chronicle, 30 (1997), 139–62 https://www.jstor.org/stable/25099459
Turbet, Richard Turbet, ‘Catalogue of Early Music in Aberdeen Libraries: Supplement, 1989-2000’, RMA Research Chronicle, 33.1 (2000), 151–52 https://www.jstor.org/stable/25099477.
University of Cambridge
Cambridge University Library
Cambridge University Library, ‘Tall Tales: Secrets of the Tower’, 2018 https://www.cam.ac.uk/TallTales [accessed 9 January 2019].
Carr, Reginald Philip, ‘Music Collections in the University Library’, Staff Bulletin, 1985.
Great Britain. Parliament. House of Commons, Return to an order of the Honourable House of Commons, dated 2d April 1818; for a return of the manner in which the books received under the Copyright Act, 54 Geo. 3, c. 156, and stated by a return made to an order of this House, dated 20th February 1818, as not placed in the public library of the University of Cambridge, have been disposed of. House of Commons Parliamentary Papers, 1818. [Paper no.168. Available via database, UK Parliamentary Papers (ProQuest)]
University of Edinburgh
Grant, Alexander, The Story of the University of Edinburgh During Its First Three Hundred Years (London: Longmans, Green, and Co., 1884).
Edinburgh University Library
Edinburgh University Library Guardbook Catalogue, 1580-1984. ([Edinburgh: The University, 1984).
Gál, Hans, Catalogue of Manuscripts, Printed Music and Books on Music up to 1850 : In the Library of the Music Department at the University of Edinburgh (Reid Library) (Edinburgh: Oliver and Boyd, 1941).
Guild, Jean R. and Alexander Law, Edinburgh University Library, 1580-1980 : A Collection of Historical Essays (Edinburgh: Edinburgh University Library, 1982).
Hall, J. T. D., Edinburgh University Library : 1580-1980 : A Commemorative Exhibition. (Edinburgh: University Library, 1980).
Hancock, P. D., A Short History of Edinburgh University Library : Compiled from Various Sources (Edinburgh University Library, 1980).
‘Edinburgh University Library’, in, Handbuch Der Historischen Buchbestande in Deutschland, Osterreich Und Europa. (Fabian-Handbuch) Online http://fabian.sub.uni-goettingen.de/fabian?Edinburgh_University_Library [accessed 17 May 2017].
Marshall, Joseph, Directory of Collections, the University of Edinburgh (London: Third Millennium Publishing, 2016).
Simpson, S. M., ‘An Early Copyright List in Edinburgh University Library’, The Bibliothek: A Scottish Journal of Bibliography and Allied Topics, 4.5 (1965), 202–7.
University of Edinburgh. Centre for Research Collections, and Nathalie Bertaud, Research Guide: Early Library Records, [Edinburgh: Edinburgh University Library, 2017).
University of Edinburgh. Centre for Research Collections, Reid Music Library, [Shelflists to download: Music Collection Mus.CRC shelflist, and Reid Music Library Cupboard Sequence (Excel spreadsheets)] https://www.ed.ac.uk/information-services/library-museum-gallery/crc/collections/rare-books-manuscripts/rare-books-directory-section/reid-music [accessed 13 February 2019].
University Library : 1580-1980 : A Commemorative Exhibition (Edinburgh: University Library, 1980).
University of Glasgow
Glasgow University Library
Davies, Peter V. and others, The University of Glasgow Library : Friendly Shelves (Glasgow: The Friends of Glasgow University Library in association with the University Library, 2016).
Dickson, William Purdie, The Glasgow University Library : Notes on Its History, Arrangements, and Aims (Glasgow: James MacLehose & Sons, 1888).
Hoare, Peter, ‘The Librarians of Glasgow University over 350 Years: 1641-1991’, Library Review, 1991, 27–43.
Nairn, Audrey, ‘A 1731 Copyright List from Glasgow University Archives’, The Bibliotheck; a Scottish Journal of Bibliography and Allied Topics, (1959) 2.1; 30–34. [Describes the legal deposit process but music is unmentioned.]
University of Oxford
Boorman, Theodora, and Oliver House, ‘Bodleian Library Records’, Bodleain Library Special Collections, 2016. http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/1500-1900/lib-recs/lib-recs.html#d2e27125 [accessed 11 January 2018].
Chalmers, John P., ‘Bodleian Copyright Deposit Survivors of the First Sixteen Years of the Copyright Act of Queen Anne, 10 April 1710 to 25 March 1726 – University of Oxford’, B.Litt Thesis (University of Oxford, 1974).
Crum, Margaret, ‘Early Lists of the Oxford Music School Collection’, Music & Letters, 48.1 (1967), 23–34, https://www.jstor.org/stable/733149
Heaney, Michael. Heaney and Catriona Cannon, Transforming the Bodleian (Berlin: De Gruyter Saur, 2012).
Macrae, William Dunn, Annals of the Bodleian Library, Oxford, 1598-1867 … (London, 1868).
University of St Andrews
Smart, Robert N., Biographical Register of the University of St Andrews 1747-1897, (St Andrews: University of St Andrews Library, 2004).
Smart, Robert N., St Andrews University Library Digital Humanities and Research Computing Teams and Alice Crawford, ‘Biographical Register 1747-1897’ https://arts.st-andrews.ac.uk/biographical-register/ [accessed 18 October 2017].
The Matriculation Roll of the University of St. Andrews, 1747-1897 (Edinburgh ; London: W. Blackwood and Sons, 1905).
St Andrews University Library
Ardagh, Philip, ‘St Andrews University Library and the Copyright Acts’, Edinburgh Bibliographical Society Transactions, 3 (948-55 (1957), 179–211.
Davie, Cedric Thorpe and University of St Andrews, Catalogue of the Finzi Collection in St. Andrews University Library (St. Andrews: University Library, 1982).
‘Davie, Cedric Thorpe (1913-1983) | Special Collections | University of St Andrews’ https://www.st-andrews.ac.uk/library/specialcollections/collections/archives/themanuscriptcollections/personal/daviecedricthorpe1913-1983/ [accessed 4 May 2015].
Frame, Elizabeth Ann, ‘The Copyright Collection of Music in the University Library, St Andrews: A Brief Account’, Edinburgh Bibliographical Society Transactions, 5.4 (1985), 1–9.
McAulay, Karen E, [guest blogpost] ‘Claimed from Stationers’ Hall: St Andrews Copyright Music Collection, Echoes from the Vault https://standrewsrarebooks.wordpress.com/2016/08/18/claimed-from-stationers-hall-st-andrews-copyright-music-collection/ [accessed 12 October 2017].
McAulay, Karen E, [guest blogpost] ‘Claimed from Stationer’s Hall – Update’ Echoes from the Vault https://standrewsrarebooks.wordpress.com/2016/12/01/claimed-from-stationers-hall-update/ [accessed 12 October 2017].
Sangster, Matthew, ‘Copyright Literature and Reading Communities in Eighteenth-Century St Andrews’, The Review of English Studies, New Series (2017), 1–23 http://dx.doi.org/10.1093/res/hgx024
Sangster, Matthew and University of St Andrews Special Collections, ‘“William French Is a Damned Bragging, Lying B****”: Book Use and Marginal Contentions in Eighteenth-Century St Andrews, Part One, Echoes from the Vault [Blog] (2017). https://standrewsrarebooks.wordpress.com/2017/01/27/william-french-is-a-damned-bragging-lying-b-book-use-and-marginal-contentions-in-eighteenth-century-st-andrews-part-one/ [accessed 1 February 2017].
Matthew Simpson, ‘St Andrews University Library in the Eighteenth Century : Scottish Education and Print-Culture’, PhD thesis, (The University of St Andrews, 1999) https://research-repository.st-andrews.ac.uk/handle/10023/1848[accessed 23 February 2015].
University of St Andrews. University Library, ‘Cedric Thorpe Davie | University of St Andrews’ https://www.st-andrews.ac.uk/music/ctd/ [accessed 11 February 2015].
University of St Andrews. University Library, ‘Cedric Thorpe Davie 1913-1983: Catalogue of Works and Index to Correspondence, 1988’ https://www.st-andrews.ac.uk/media/special-collections/documents/Cedric_Thorpe_Davie_catalogue.pdf.
University of St Andrews. University Library, ‘Stationers’ Hall Registers | St Andrews Digital Collections’ https://arts.st-andrews.ac.uk/digitalhumanities/fedora/repository/digitalcollections%3A5500[accessed 12 October 2017].
University of St Andrews. University Library. Special Collections, ‘Playfair Papers | Special Collections | University of St Andrews’ https://www.st-andrews.ac.uk/library/specialcollections/collections/archives/projects/playfairpapers/ [accessed 22 May 2016].
University of St Andrews. University Library, Special Collections, ‘Copyright Deposit Collection | Special Collections | University of St Andrews’ https://www.st-andrews.ac.uk/library/specialcollections/collections/rarebooks/named/copyrightdepositcollection/ [accessed 13 May 2014].
University of St Andrews. University Library. Special Collections, ‘Echoes from the Vault | a Blog from the Special Collections of the University of St Andrews’ https://standrewsrarebooks.wordpress.com/ [accessed 31 August 2017].
University of St Andrews. University Library. Special Collections, ‘Records of the Library of the University of St Andrews’ (Archives Hub entry – consult handlist for detailed breakdown of library catalogues, loan and accession records etc) https://archiveshub.jisc.ac.uk/search/archives/d07b9e3e-2202-3706-9ad2-b6c93753ec29 [accessed 18 October 2017].
Archives New Zealand http://archives.govt.nz/resources/research-resources/info-sheets/music-html.
Atkinson, Benedict, The True History of Copyright : The Australian Experience 1905-2005 (Sydney: Sydney University Press, 2007).
Binns, Georgina (ed.), Bibliographical Society of Australia and New Zealand, Music Printing & Publishing in Australia : Papers from the History of the Book in Australia Seminar, Monash University, November 2000 / Edited by Georgina Binns. – Version Details – Trove, 2002 https://trove.nla.gov.au/work/16531416?selectedversion=NBD24100032[accessed 24 October 2017].
Library of Congress, American Memory. Mission and History [digital collection] http://memory.loc.gov/ammem/about/index.html
Library of Congress, Early American Sheet Music [digital collection] https://www.loc.gov/collections/early-american-sheet-music/
Library of Congress, Music for the Nation: American Sheet Music, Ca. 1820 to 1860 [digital collection] https://www.loc.gov/collections/american-sheet-music-1820-to-1860/
National Library of Australia, ‘Trove’, Trove http://trove.nla.gov.au/ [accessed 26 October 2017].
Nichol, Elizabeth, ‘New Zealand’s Published Music 1850-1913’, PhD thesis (University of Auckland, 2017) https://researchspace.auckland.ac.nz/handle/2292/35499.
Robertson-Kirkland, Brianna E., ‘Library of Congress: Early American Sheet Music’, Royal Musical Association Research Chronicle, 2018, 1–9 http://dx.doi.org/10.1080/14723808.2018.1500810.
Sepko, Delaina, ‘Curating Music Curation’ (University of Glasgow, 2015) http://theses.gla.ac.uk/6357/ [Library of Congress legal deposit] [accessed 24 January 2017].
Skinner, Graeme, ‘Australharmony – A Checklist of Australian Sheet Music Prints, 1834-c.1850’ [Page under construction] http://sydney.edu.au/paradisec/australharmony/checklist-sheet-music-1834-c1850.php [accessed 11 February 2019].
Skinner, Graeme, ‘Toward a General History of Australian Musical Composition: First National Music 1788-c.1860’ (PhD thesis, Sydney Conservatorium of Music, 2011).
Cultural History: Book History, Reading, Music, Dance etc
Allan, David, A Nation of Readers : The Lending Library in Georgian England (London: British Library, 2008).
Baldwin, Olive and Thelma Wilson, ‘250 Years of Roast Beef’, The Musical Times, 126.1706 (1985), 203 https://www.jstor.org/stable/962179.
Bell, Bill, The Edinburgh History of the Book in Scotland Volume 3, Ambition and Industry 1800-80 (Edinburgh University Press, 2007).
Blake, Andrew, The Land without Music : Music, Culture and Society in Twentieth-Century Britain (Manchester ; New York: Manchester University Press, 1997).
Brooks, Jeanice, ‘In Search of Austen’s “Missing Songs”’, The Review of English Studies, 67.282 (2016), 914–45.
Brooks, Jeanice, Jonathan Wainwright and Katrina Faulds, ‘Sound Heritage | Sound-Heritage.soton.ac.uk’, https://sound-heritage.soton.ac.uk/ [accessed 3 August 2017].
Brown, Stephen W., Warren McDougall and Bill Bell, The Edinburgh History of the Book in Scotland. Vol. 2, Enlightenment and Expansion, 1707-1800 (Edinburgh: Edinburgh University Press, 2012).
Christensen, Thomas, ‘Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception’, Journal of the American Musicological Society, 52 (1999), 255–98.
Christensen, Thomas, ‘Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera’, in Music and the Cultures of Print, ed. Kate van Orden, 2000, pp. 67–93.
Cooper, Paul, Nathaniel Gow (1763-1831) & John Gow (1764-1826), Band Leaders & Publishers’ (Paper 22) https://www.regencydances.org/paper022.php[accessed 1 April 2017].
Coover, James, ‘Choosing What Not to Preserve’, Harvard Library Bulletin, 2.1 (1991).
Coover, James, ‘Musical Ephemera: Some Thoughts about Types, Controls, Access’, Music Reference Services Quarterly, 2.3–4 (1993), 351.
Cowgill, Rachel and Peter Holman, Music in the British Provinces, 1690-1914 (Aldershot: Ashgate, 2007).
Dubois, Music in the Georgian Novel (Cambridge ; New York: Cambridge University Press, 2015).
Dunagin, Amy, ‘The Land without Music: Satirizing Song in Eighteenth-Century England’, 2017 https://walpole.library.yale.edu/programs/exhibitions/past-exhibitions.
Edinburgh Bibliographical Society [website] http://www.edinburghbibliographicalsociety.org.uk/
Ehrlich, Cyril, and Dave Russell, ‘Victorian Music: A Perspective’, Journal of Victorian Culture (Edinburgh University Press), 3.1 (1998), 111.
Eliot, Simon, ‘Some Trends in British Book Production, 1800-1919’, in Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices, ed. by John O. Jordan and Robert L. Patten (Cambridge, 1995), pp. 20–21.
Eydmann, Stuart, ‘Balls in St Andrews and Other Strange Matters’, in Edinburgh University blog, The Fiddle in the Scottish Folk Music Revival, 2015 https://www.blogs.hss.ed.ac.uk/revival-fiddle/2015/07/02/balls-in-st-andrews-and-other-strange-matters/ [accessed 31 January 2018].
Fife Herald, British Newspaper Archive https://www.britishnewspaperarchive.co.uk//
Goehr, Lydia, and Richard. Taruskin, The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music, Rev. ed. (Oxford ; New York: Oxford University Press, 2007).
Golby, David, Instrumental Teaching in Nineteenth-Century Britain (Routledge, 2018).
Gregory, E. David, Victorian Songhunters : The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820-1883 (Lanham, Md. ; Oxford: Scarecrow, 2006).
Gustar, Andrew, ‘Statistics as a Tool in Researching Women Composer Populations’, 2018 https://www.musichistorystats.com/rma18/#comment-65.
The Harmonicon : A Journal of Music (Farnborough: Gregg, 1971).
Holman, Peter, ‘Eighteenth Century Music: Past, Present, Future’, in Music in Eighteenth-Century Britain, 2000, pp. 1–13.
Hunter, David, English Opera and Song Books, 1703-1726 : Their Contents, Publishing, Printing, and Bibliographical Description (Ann Arbor, Michigan: UMI, 1996).
Hunter, David, Chapter 41, ‘Music’, 750-61, in The Cambridge History of The Book in Britain, Vol.5, 1695-1830, ed. Michael F. Suarez, S.J. and Michael L. Turner (Cambridge: Cambridge University Press, 2009).
Jensen, Oskar Cox, Napoleon and British Song, 1797-1822 (New York: Palgrave Macmillan, 2015).
Jones, David Wyn (ed.), Music in Eighteenth-Century Britain (Taylor & Francis, 2000).
Kassler, Michael, ‘The Remarkable Story of Maria Hinckesman’, Musicology Australia, 29.1 (2007), 43–67. https://www.tandfonline.com/doi/abs/10.1080/08145857.2007.10416588
Kloss, Jurgen, ‘…Humming A Diff’rent Tune: From Calcutta to Tübingen – Thomas Moore’s “All That’s Bright Must Fade” (1818)’, 2016. https://hummingadifferenttune.blogspot.com/2016/02/from-calcutta-to-tubingen-thomas-moores.html [accessed 6 February 2019].
Kloss, Jurgen, ‘…Humming A Diff’rent Tune: “Melodies of Different Nations”: Anthologies of International “National Airs” in Britain 1800-1830 – Pt. 1’, Humming a Diff’rent Tune [Blog], 2015. https://hummingadifferenttune.blogspot.com/2015/09/melodies-of-different-nations.html[accessed 6 February 2019].
Kloss, Jurgen, Jurgen Kloss, …‘…Humming A Diff’rent Tune: “Melodies of Different Nations”: Anthologies of International “National Airs” in Britain 1800-1830 – Pt. 2’, … … Humming a Diff’rent Tune [Blog], 2016. https://hummingadifferenttune.blogspot.com/2015/09/melodies-of-different-nations_11.html [accessed 6 February 2019].
Kloss, Jurgen, .‘…Humming A Diff’rent Tune: “This, after All, Is Music of the Heart” Thomas Moore’s “Hark! The Vesper Hymn Is Stealing” (1818)’, … … Humming a Diff’rent Tune [Blog], 2016. https://hummingadifferenttune.blogspot.com/2016/03/this-after-all-is-music-of-heart-thomas.html [accessed 6 February 2019].
Langley, Leanne, Leanne Langley, ‘The Life and Death of “The Harmonicon”: An Analysis on JSTOR’, Royal Musical Association Research Chronicle, 22 (1989), 137–63 https://www.jstor.org/stable/25099401 [accessed 30 October 2018].
Langley, Leanne, ‘Leanne Langley – Taking Stock’ http://www.leannelangley.com/projects/taking-stock/ [accessed 18 December 2018].
Lockhart, William, ‘Listening to the Domestic Music Machine: Keyboard Arrangement in the Nineteenth Century’ (Humboldt-Universität zu Berlin, 2012) https://edoc.hu-berlin.de/handle/18452/17298 accessed 8 February 2018].
McAulay, Karen E. and Brianna E. Robertson-Kirkland, ‘My Love to War Is Going’, Trafalgar Chronicle, New Series (2018), 202–12.
Music in Eighteenth-Century Britain, ed. David Wyn Jones (Taylor & Francis, 2000).
Nineteenth Century British Music Studies, 1, ed. Bennett. Zon and Simon. Society for the Study of Music in Nineteenth-Century Britain., (Aldershot: Ashgate, 1999).
Nineteenth Century British Music Studies, 2, ed. Rachel Cowgill and Simon McVeigh, (Aldershot: Ashgate, 2002).
Nineteenth Century British Music Studies, 3, ed. Peter Horton and Bennett Zon, (Aldershot: Ashgate, 2003).
Perthshire Courier, British Newspaper Archive https://www.britishnewspaperarchive.co.uk/
Queen’s University, Belfast, Special Collections & Archives, ‘The Dissemination of Thomas Moore’s National Airs in Nineteenth-Century Europe’ http://omeka.qub.ac.uk/exhibits/show/the-dissemination-of-thomas-mo [accessed 4 February 2019].
Queen’s University, Belfast, Special Collections & Archives, ‘London and the Irish Melodies · Moore’s Irish Melodies in Europe’ http://omeka.qub.ac.uk/exhibits/show/moore-irish-melodies-in-europe/london-and-the-irish-melodies [accessed 4 February 2019].
Rainbow, Bernarr, The Land without Music. Musical Education in England, 1800-1860, and Its Continental Antecedents. (London: Novello & Co., 1967).
Raven, James, What Is the History of the Book? (Cambridge: Polity Press, 2017).
Rivers, Isabel, and James Raven, ‘Books and Their Readers in Eighteenth-Century England’ [Electronic Resource] : New Essays (London : Continuum, 2001).
Rodmell, Paul, Music and Institutions in Nineteenth-Century Britain (Routledge, 2016).
Scott, Derek B., The Singing Bourgeois : Songs of the Victorian Drawing Room and Parlour, 2nd ed. (Aldershot: Ashgate, 2001).
Sommer, Susan, ‘Music Librarians as Custodians of Cultural History, Question and Discussion, in “Music Librarianship in America”’, Harvard Library Bulletin, 2.1 (1991), 37.
St Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2007).
Suarez, Michael Felix and Michael Lawrence Turner, The Cambridge History of the Book in Britain. Vol.5, 1695-1830 (Cambridge: Cambridge University Press, 2009).
Temperley, Nicholas, Bound for America : Three British Composers (Urbana, Ill.: University of Illinois Press, 2003).
Temperley, Nicholas, ‘Xenophilia in British Musical History’, in Nineteenth Century British Music Studies 1, 2009, 3–19.
Towsey, Mark R. M., ‘Reading the Scottish Enlightenment: Libraries, Readers and Intellectual Culture in Provincial Scotland c.1750-C.1820’, PhD thesis, (University of St Andrews, 2007) https://research-repository.st-andrews.ac.uk/bitstream/handle/10023/412/MarkRMTowseyPhDThesis.pdf [accessed 21 April 2017].
Weber, William, ‘The Intellectual Origins of Musical Canon in Eighteenth-Century England’, Journal of the American Musicological Society, 47.3 (1994), 488–520 http://jams.ucpress.edu/content/47/3/488.
Williams, Kelsey Jackson, [guest blogpost], ‘The Origins of Scottish Copperplate Engraving (Musical and Otherwise)’, Claimed From Stationers’ Hall’, Claimed From Stationers’ Hall Blog, 2017. https://claimedfromstationershall.wordpress.com/2017/12/05/the-origins-of-scottish-copperplate-engraving-musical-and-otherwise/ [accessed 13 February 2019].
Yale University. Lewis Walpole Library, ‘Lewis Walpole Library, Past Exhibitions : Global Encounters and the Archives: Britain’s Empire in the Age of Horace Walpole (October 20, 2017-March 2, 2018)’, 2017. https://walpole.library.yale.edu/programs/exhibitions/past-exhibitions [accessed 12 December 2018].
Alston, R. C. (Robin Carfrae), Order and Connexion : Studies in Bibliography and Book History : Selected Papers from the Munby Seminar, Cambridge, July 1994 (Woodbridge, Suffolk, U.K. ; D.S. Brewer, 1997).
Bowers, Fredson, Principles of Bibliographical Description (St. Paul’s Bibliographies, 1986).
Cawelti, Andrea, [Guest blogpost], ‘The Stationers’ Company to 1775: Tempting Course in Philadelphia’, Claimed From Stationers’ Hall blog, 2019. https://claimedfromstationershall.wordpress.com/2019/01/10/the-stationers-company-to-1775-guest-blog-warmly-endorses-philadelphia-event/ [accessed 13 February 2019].
Cobbe, Hugh, ‘RISM A/II: The United Kingdom Contribution’, Journal of the Royal Musical Association (Taylor & Francis, Ltd., Royal Musical Association, 1988), 146–48 https://www.jstor.org/stable/766276.
Gaskell, Philip, A New Introduction to Bibliography (Winchester, UK: St. Paul’s Bibliographies, 1995).
Krummel, Donald William, Bibliographies, Their Aims and Methods (London ; New York: Mansell, 1984).
Krummel, Donald William, The Literature of Music Bibliography : An Account of the Writings on the History of Music Printing & Publishing (Berkeley: Fallen Leaf Press, 1992).
Parkinson, John A.,Victorian Music Publishers : An Annotated List, (Detroit Studies in Music Bibliography), (Warren, Mich.: Harmonie Park Press, 1990).
Quarmby, Elizabeth Quarmby-Lawrence and Historic Libraries Forum, ‘Cataloguing Printed Music, Especially of the Hand-Press Period. Notes for the Occasional Music Cataloguer’, 2011. http://www.historiclibrariesforum.org.uk/hlf/Guides/CataloguingMusic.pdf [accessed 3 October 2018].
Repertoire International de la Presse Musicale [‘RIPM’], ‘Répertoire International de La Presse Musicale / Retrospective Index to Music Periodicals’ https://www.ripm.org/ [accessed 28 November 2018].
Repertoire International des Sources Musicales [‘RISM’] http://www.rism.info/home.html [accessed 11 February 2019].
RIPM see Repertoire International de la Presse Musicale
RISM see Repertoire International des Sources Musicales
Schnapper, Edith Betty, The British Union-Catalogue of Early Music Printed before the Year 1801 : A Record of the Holdings of over One Hundred Libraries throughout the British Isles (London: Butterworths, 1957)
Snigurowicz, Diana, University of Maryland at College Park. Center for Studies in Nineteenth-Century Music., and National Information Services Corporation., The Harmonicon, 1823-1833 (Baltimore, Md.: NISC, 1989).
Solow, Linda and D. W. (Donald William) Krummel, An Index to Publishers, Engravers, and Lithographers and a Bibliography of the IAML Guide for Dating Early Published Music (Kassel, 1977).
Tanselle, G. Thomas, ‘A Description of Descriptive Bibliography’, Studies in Bibliography (Bibliographical Society of the University of Virginia), 1–30 https://doi.org/10.2307/40371955.
Yee, Martha M., Cataloguing compared to descriptive bibliography, abstracting and indexing services, and metadata, https://escholarship.org/uc/item/18g6j3nb [accessed 26 December 2018].
Adam Matthew Digital, ‘Literary Print Culture: Digitising the Stationers’ Company Archive – YouTube’ https://www.youtube.com/watch?v=00-u4W126uo [accessed 22 February 2018].
Bayerische Staatsbibliothek, ‘RISM Musik Opac’ (Die Bayerische Staatsbibliothek, 2010) https://opac.rism.info/index.php?id=8&L=1 [accessed 22 June 2016].
‘A Big Data History of Music’, British Library Music Blog, http://britishlibrary.typepad.co.uk/music/2014/04/a-big-data-history-of-music.html [accessed 26 March 2016].
CREATe Support Stationers’ Register Online Project, CREATe Blog, 2017 https://www.create.ac.uk/blog/2017/02/24/create-support-stationers-register-online-project/ [accessed 24 February 2017].
Cummings, James Cummings, ‘SRO: Stationers’ Register Online | In My 〈element/〉’ https://blogs.it.ox.ac.uk/jamesc/projects/sro-stationers-register-online/ [accessed 12 October 2017].
Donaldson, Fiona, ‘Reid Concerts Database’, http://www.reidconcerts.music.ed.ac.uk/content/home [accessed 26 October 2017].
McAulay, Karen E, ‘ASW 2015: The Bigger, the Better – A Big Data History of Music’, IAML (UK and Ireland) Blog, 2015 https://iamlukirl.wordpress.com/2015/04/17/asw-2015-the-bigger-the-better-a-big-data-history-of-music/
RISM United Kingdom, ed., British Library, Royal Holloway University of London, http://www.rism.org.uk/ [accessed 31 January 2018].
Rose, Stephen, ‘RISM in the Digital Age’, Early Music, 41.1 (2013), 158–60. https://www.jstor.org/stable/43306826 [accessed 13 February 2019].
Rose, Stephen, Sandra Tuppen and Loukia Drosopoulou, ‘Writing a Big Data History of Music’, Early Music, 43.4 (2015), 649–60.
Sage Publishing, ‘Adam Matthew Digital Publishes The Stationers’ Company Archive, 1554-2007 | SAGE Publications Ltd’( 2017), https://uk.sagepub.com/en-gb/eur/press/adam-matthew-digital-publishes-the-stationers’-company-archive-1554-2007 [accessed 12 October 2017].
Tuppen, Sandra, Stephen Rose and Loukia Drosopoulou, ‘Library Catalogue Records as a Research Resource: Introducing “A Big Data History of Music”’, Fontes Artis Musicae, 63.2 (2016), 67–88. https://www.jstor.org/stable/26354479 [accessed 13 February 2019].
Weedon, Alexis, ‘Digital Resources and Quantitative Research’, Journal of Victorian Culture, 15.2 (2010), 287–91. https://doi.org/10.1080/13555502.2010.491666 [accessed 13 February 2019].