This is a bibliography covering the various aspects of the Claimed From Stationers’ Hall music research project.  It’s a work-in-progress, now in its 5th edition, and suggestions for further additions are warmly welcomed.  (Uploaded 13 February 2019.)

NB blank headings have been left for documentation about the institutions themselves, as well as about their libraries.  So much information was accumulated about the University of St Andrews, that it seemed prudent to leave space for any similar material in connection with the other legal deposit libraries.  Headings cover the following topics:-

  • Copyright and Legal Deposit, & Publishing History (General)
  • Copyright and Legal Deposit, & Publishing History (Music)
  • Libraries
  • Individual Institutions and Their Libraries:
    • British Library
    • Lambeth Palace (Sion College holdings)
    • National Library of Scotland
    • Trinity College Dublin [currently blank]
    • Trinity College Dublin University Library
    • University of Aberdeen [currently blank]
    • Aberdeen University Library
    • University of Cambridge [currently blank]
    • Cambridge University Library
    • University of Glasgow [currently blank]
    • Glasgow University Library
    • University of Oxford [currently blank]
    • Bodleian Library
    • University of St Andrews
    • St Andrews University Library
  • Overseas legal deposit
  • Cultural History: Reading, Music, Dance etc.
  • Bibliography
  • Digital Humanities

CFSH Bibliography 5th edition 13 February 2019 (pdf)

Bibliography: Legal Deposit Music Claimed From Stationers’ Hall (AHRC Research Network)

compiled by Karen E McAulay, Royal Conservatoire of Scotland

SH Stamps fabricCopyright and Legal Deposit, & Publishing History (General)

Adam Matthew Digital, Literary Print Culture: The Stationers’ Company Archive, 1554-2007 http://www.literaryprintculture.amdigital.co.uk/ [accessed 12 October 2017].

Alexander, Isabella, Copyright Law and the Public Interest in the Nineteenth Century (Oxford ; Portland, Or.: Hart, 2010).

Alexander, Isabella, and H. Tomás Gómez-Arostegui, Research Handbook on the History of Copyright Law (Cheltenham: Edward Elgar Publishing, 2016).

Arber, Edward, A List, Based on the Registers of the Stationers Company, of 837 London Publishers … between 1553 and 1640. (Birm., 1890)

Arber, Edward, A Transcript of the Registers of the Company of Stationers of London, 1554-1640 A.D ([New York]: [P. Smith], 1950)

Beavan, Iain, The Nineteenth-Century Book Trade in Aberdeen, with Primary Reference to Lewis Smith ([Aberdeen: Robert Gordon University, 1992)

Bell, Maureen, ‘Entrance in the Stationers’ Register’, The Library, VI.16 (1994), 50–54

Bently, Lionel Bently and Martin Kretschmer, Primary Sources on Copyright http://www.copyrighthistory.org/cam/index.php [accessed 4 November 2018].

Bergel, Giles, ‘Ballad Trade – Literary Print Culture’, Literary Print Culture: The Stationers’ Company Archive, 1554-2007, 2018 http://www.literaryprintculture.amdigital.co.uk/Essays/GilesBergel [accessed 2 March 2018].

Cornish, Graham, ‘Copyright: Evolution or Extinction?’, Information Professional, 2018.

Deazley, Ronan, On the Origin of the Right to Copy : Charting the Movement of Copyright Law in Eighteenth-Century Britain (1695-1775) (Oxford ; Portland, Or.: Hart Publishing, 2004)

Deazley, Ronan, Martin Kretschmer and Lionel Bently, Privilege and Property : Essays on the History of Copyright (OpenBook, 2010) http://books.openedition.org/obp/1087 [accessed 21 February 2018].

Eliot, Simon, ‘“Mr Greenhill, Whom You Cannot Get Rid Of”: Copyright, Legal Deposit and the Stationers’ Company in the Nineteenth Century’, in Libraries and the Book Trade, ed. by Robin. Myers, Michael Harris, and Giles Mandelbrote (New Castle, DE.: Oak Knoll Press, 2000), pp. 51–84

Feather, John, ‘The Significance of Copyright History for Publishing History and Historians (Chapter 14)’, in Deazley, Kretschmer, Bently, Privilege and Property: Essays on the History of Copyright (2010)

Frith, Simon and and Lee Marshall, Music and Copyright, 2nd ed. (Routledge, 2013)

Glasgow, Eric, ‘Publishers in Victorian England’, Library Review, 47.8 (2013), 395–400.  https://doi.org/10.1108/00242539810239561

Great Britain. Parliament, An Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of Such Copies, during the Times Therein Mentioned. (London: printed by the assigns of Thomas Newcomb, and Henry Hills, deceas’d; printers to the Queens most excellent Majesty, 1710).

Great Britain. Parliament. House of Commons, Extracts of so Much of the Returns Made by the Universities of Oxford and Cambridge, (pursuant to the Orders of the 1st July 1817 and 20th February Last) as State, Whether Any of the Books Claimed under the Late Copyright Act Have Been Omitted to Be Placed in their Respective Libraries, and how otherwise disposed of, House of Commons Parliamentary Papers, 1818 http://parlipapers.chadwyck.co.uk/saveditems/myArchive.do [accessed 22 March 2016]

Great Britain. Parliament, House of Commons., A List of Publications Entered at Stationers’ Hall, since the Passing of the Late Act Respecting Copyright, &c.; July 29, 1814. ([London]: [s.n.], 1815).

Great Britain. Royal Commission on Copyright, 1876, Report and Minutes of Evidence. The Royal Commissions and the Report of the Commissioners. Minutes of Evidence, Together with an Appendix, Preceded by Tables of the Witnesses and of the Contents of the Appendix. v, 40 ([S.l.]: H.M.S.O., 1878)

Kretschmer, Martin and Friedemann Kawohl, ‘The History and Philosophy of Copyright’, in Music and Copyright, ed. Frith and Marshall, 2013, pp. 21–53.

MacDougall, Warren, ’Smugglers, Reprinters, and Hot Pursuers: The Irish-Scottish Book Trade, and Copyright Prosecutions in the Late Eighteenth Century’, in The Stationers’ Company and the Book Trade 1550-1990, 1997, p. pp.151-183.

Myers, Robin, Michael Harris and Giles Mandelbrote, Libraries and the Book Trade (New Castle, Del.: Oak Knoll Press, 2000)

Myers, Robin, Records of the Worshipful Company of Stationers 1554-1920, microfilm reels (London, 1985)

Myers, Robin, ‘The Records of the Stationers’ Company; Their History, Importance and Use – Literary Print Culture – Adam Matthew Digital’, Literary Print Culture: The Stationers’ Company Archive, 1554-2007, 2018 http://www.literaryprintculture.amdigital.co.uk/Essays/RobinMyers [accessed 2 March 2018].

Myers, Robin, and Worshipful Company of Stationers, The Stationers’ Company Archive : An Account of the Records, 1554-1984 (Winchester: St. Paul’s Bibliographies, 1990)

Myers, Robin, and Michael Harris, eds, The Stationers’ Company and the Book Trade, 1550-1990 (New Castle, Del. : Oak Knoll Press, 1997)

Myers, Robin, Michael Harris and Giles Mandelbrote, The London Book Trade : Topographies of Print in the Metropolis from the Sixteenth Century (New Castle, DE : Oak Knoll, 2003)

The National Archives, The National Archives – Homepage http://www.nationalarchives.gov.uk/help-with-your-research/research-guides/copyright-records-stationers-hall/ [accessed 31 January 2018]

Partridge, Robert C. Barrington and F. G. (Frederic George) Kenyon, The History of the Legal Deposit of Books throughout the British Empire. (London: Library Association, 1938)

Purday, Charles H. (Charles Henry), Copyright: A Sketch of Its Rise and Progress, the Acts of Parliament and Conventions with Foreign Nations Now in Force : With Suggestions on the Statutory Requirements for the Disposal and Security of a Copyright, Literary, Musical, and Artistic. (London: W. Reeves., 1877)

Ransom, Harry Hunt, The First Copyright Statute : An Essay on An Act for the Encouragement of Learning, 1710. (Austin: University of Texas Press, 1956)

Raven, James, The Business of Books : Booksellers and the English Book Trade, 1450-1850 (New Haven ; London: Yale University Press, 2007).

Sage Publishing, ‘Adam Matthew Digital Publishes The Stationers’ Company Archive, 1554-2007 | SAGE Publications Ltd’, 2017, Online [Press release] https://uk.sagepub.com/en-gb/eur/press/adam-matthew-digital-publishes-the-stationers’-company-archive-1554-2007 [accessed 12 October 2017].

Stationers’ Company, Index of titles and proprietors of books entered in the book of registry of the Stationers’ company … from 28th April 1710 to 30th Dec. 1773. (London, 1910)

University of Cambridge Centre for Intellectual Property and Information Law, ‘Primary Sources on Copyright – Home’ http://www.copyrighthistory.org/cam/ [accessed 31 January 2018]

Copyright and Legal Deposit, & Publishing SH Stamps fabricHistory (Music)

Albinsson, Staffan, ‘Early Music Copyrights: Did They Matter for Beethoven and Schumann?’, International Review of the Aesthetics and Sociology of Music, 43.2 (2012), 265–302 https://www.jstor.org/stable/23342823 [accessed 12 January 2019].

Barron, Anne, ‘Copyright Law’s Musical Work’, Social and Legal Studies, 15 (2006), 101–27.

C., T.C., ‘Musical Proprietorship’, The Quarterly Musical Magazine and Review, Vol.3, 1820, pp. 151–54 [by ” T.C.C.”] https://archive.org/stream/bub_gb_WAUVAAAAQAAJ#page/n173/mode/2up [accessed 5 February 2019].

Carroll, Charles Michael, ‘Musical Borrowing: Grand Larceny or Great Art?’, College Music Symposium, 18.1 (1978), 11–18 https://www.jstor.org/stable/40373912 [accessed 12 January 2019].

Cathcart, Cynthia, ‘Pirates of the Middle Cs: Edward Bunting and the Pirated Editions of His 1796 Collection’, Bulletin of the Historical Harp Society, 24.3 (2014), 14–22.

Cooper, Paul, Paul Cooper, ‘Copyright Disputes between London’s Dance Publishers, 1810s’ https://www.regencydances.org/paper032.php [accessed 5 February 2019].

Cooper, Paul, Paul Cooper, ‘White v. Gerock, 1818 (of Country Dances & Copyright)’ https://www.regencydances.org/paper014.php [accessed 5 February 2019].

Coover, James, Music Publishing, Copyright and Piracy in Victorian England : A Twenty-Five Year Chronicle, 1881-1906, from the Pages of the Musical Opinion & Music Trade Review and Other English Music Journals of the Period (London: Mansell Publishing Limited, 1985)

‘Copyright Question: Leader and Another v. Purday’, Musical World, 1849, p. Vol.22, Supplement, pp.741–44

Frith, Simon, and Lee. Marshall, Music and Copyright, 2nd ed. ([s.l.]: Routledge, 2013)

Hunter, David, ‘Review: Music Publishing, Copyright and Piracy in Victorian England: A Twenty-Five Year Chronicle, 1881-1906, from the Pages of the Musical Opinion & Music Trade Review and Other English Music Journals of the Period by James Coover’, Notes, 45.1 (1988), 64–65  https://www.jstor.org/stable/941396 [accessed 21 October 2015].

Hunter, David, ‘Music Copyright in Britain to 1800’, Music & Letters, 67.3 (1986), 269–82 https://www.jstor.org/stable/735889 [accessed 21 October 2015].

Hunter, David, ‘Music [Chapter41]’, in The Cambridge History of The Book in Britain, Vol.5, 1695-1830, Ed. by Michael F. Suarez, S.J. and Michael L. Turner, 2009, pp. 750–61.

Hunter, David, ‘Review: Music Entries at Stationers’ Hall 1710-1818 by Michael Kassler’, Notes, 2nd Series, 61.4 (2005), 993–94 https://www.jstor.org/stable/4487489 [accessed 20 October 2015]

Kassler, Michael, Music Entries at Stationers’ Hall, 1710-1818 : From Lists Prepared for William Hawes, D.W. Krummel, and Alan Tyson and from Other Sources / Compiled by Michael Kassler. (Aldershot, Hants : Ashgate, 2004)

Kassler, Michael, The Music Trade in Georgian England (Farnham: Ashgate, 2011)

Krummel, Donald William and International Association of Music Libraries. Commission for Bibliographical Research., Guide for Dating Early Published Music : A Manual of Bibliographical Practices (Hackensack, N.J.: J. Boonin, 1974)

Krummel, Donald William English Music Printing 1553-1700, (London: The Bibliographical Society, 1975)

Krummel, Donald William and Stanley Sadie, Music Printing and Publishing, 1st American ed. (Basingstoke: W.W. Norton, 1990)

Langley, Leanne, ‘Regent’s Harmonic Institution’, Oxford Music Online, 2001.

Leader and Cock v. Purday, [court-case] 1849.

Lockhart, William, ‘Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain’, Music & Letters, 93.2 (May) (2011), 191–221 https://www.jstor.org/stable/41684166 [accessed 31 January 2018]

London Record Society, ‘Pleadings, 1784-1785: Nos 272-301 | British History Online’, British History Online, 2000 https://www.british-history.ac.uk/london-record-soc/vol35/pp117-127#h3-0028 [Attorney Charles Rennett, three music copyright lawsuits; accessed 4 October 2018].

McAulay, Karen E., Claimed From Stationers’ Hall: Research Network Blog, 2017-

McAulay, Karen E., ‘Review: Kassler, The Music Trade in Georgian England’, Fontes Artis Musicae Vol.59 no.1, 67-69 https://www.jstor.org/stable/42765555

Mace, Nancy A., ‘Charles Rennett and the London Music-Sellers in the 1780s: Testing the Ownership of Reversionary Copyrights’, Journal of the Royal Musical Association (Taylor & Francis, Ltd. Royal Musical Association, 2004), 1–23 https://www.jstor.org/stable/3557487

Mace, Nancy A., ‘Haydn and the London Music Sellers: Forster V. Longman & Broderip’, Music & Letters, 527–41 https://www.jstor.org/stable/737804

Mace, Nancy A., ‘Litigating the Musical Magazine: The Definition of British Music Copyright in the 1780s.’, Book History, 2 (1999), 122–45;

Mace, Nancy A., ‘The Market for Music in the Late Eighteenth Century and the Entry Books of the Stationers’ Company’, The Library, 10.2 (2009), 157–87 http://dx.doi.org/10.1093/library/10.2.157

Mace, Nancy A. and Adam Matthew Digital, ‘Printed Music, Copyright, and the Stationers’ Company Archives in the Late Eighteenth and Early Nineteenth Centuries’, Literary Print Culture: The Stationers’ Company, 1554-2007 [database], 2018

Miller, Derek, Derek Miller, Copyright and the Value of Performance, 1770–1911 (Cambridge University Press, 2018) https://doi.org/10.1017/9781108349284.

Monahan, Mark, Mark Monahan, ‘You Can’t Copyright Silence – There’s Too Much of It About’, The Telegraph, 28 September 2002 https://www.telegraph.co.uk/culture/music/rockandjazzmusic/3583315/You-cant-copyright-silence-theres-too-much-of-it-about.html.

Music Publishing & Collecting : Essays in Honor of Donald W. Krummel (Champaign, Ill.: Graduate School of Library and Information Science, University of Illinois at Urbana-Champaign, 1994), ed. David Hunter

Neighbour, Oliver, ‘Review on JSTOR: Kassler, Michael, Com. Music Entries at Stationers’ Hall, 1710-1818. From Lists Prepared for William Hawes, D. W. Krummel, and Alan Tyson and from Other Sources, with a Foreword by D. W. Krummel … (2004)’, The Papers of the Bibliographical Society of America, 2005, pp. 159–61 https://www.jstor.org/stable/24295856 [accessed 7 September 2017].

Neighbour, Oliver W. and Alan Tyson, ‘English Plate Numbers’, Musical Times, 106.1471 (1965), 683 https://www.jstor.org/stable/954181 [accessed 20 October 2015]

Nelson, Claire, ‘George Thomson and the ‘fraudulent’ Activities of Joseph Dale’, paper given at 17th Congress of the International Musicological Society (2002). [Trying to source printed edition other than abstract.]

Rabin, Ronald J. and Steven Zohn, ‘Arne, Handel, Walsh, and Music as Intellectual Property: Two Eighteenth-Century Lawsuits’, Journal of the Royal Musical Association, 120.1 (1995), 112–45.

Radsken, Jill, ‘Lurking in Your Favorite Song, the Law : Harvard’s Derek Miller Explains How Copyright Affects Creativity’, Harvard Gazette, 2018 https://news.harvard.edu/gazette/story/2018/11/harvards-derek-miller-explains-how-copyright-affects-creativity/?utm_medium=social&utm_campaign=hu-twitter-general&utm_source=twitter [accessed 5 December 2018].

Robertson-Kirkland, Brianna E., [guest blogpost], ‘Venanzio Rauzzini (1746-1810): Castrato, Composer and Copyright Obsessed?’, Claimed From Stationers’ Hall Blog, 2017. https://claimedfromstationershall.wordpress.com/2017/11/24/venanzio-rauzzini-1746-1810-castrato-composer-and-copyright-obsessed/ [accessed 13 February 2019].

Rodriguez, Eva Moreda, [guest blogpost], ‘The Wonders of the Spanish Legal Deposit, or: What Can Theatrical and Musical Plays Tell Us about Cultural Attitudes to the Phonograph?’, Claimed From Stationers Hall Blog, 2018. https://claimedfromstationershall.wordpress.com/2018/06/14/the-wonders-of-the-spanish-legal-deposit-or-what-can-theatrical-and-musical-plays-tell-us-about-cultural-attitudes-to-the-phonograph/ [accessed 13 February 2019].

Rooley, Anthony, Musical Turning Points : Entre’d at Stationers’ Hall ; the Pivotal Role of Stationers’ Hall in English Music 1600, 1700, 1800 (London: Worshipful Company of Stationers and Newspaper Makers, 2006).

Rowland, David, ‘Clementi as Publisher’, in The Music Trade in Georgian England, Ed. Michael Kassler, ed. by Michael Kassler (Farnham, Surrey: Ashgate Publishing, Ltd., 2011), pp. 159–91

Rowland, David, ‘Clementi’s Music Business’, in The Music Trade in Georgian England, Ed. Michael Kassler, ed. by Michael Kassler (Farnham, Surrey: Ashgate Publishing, Ltd., 2011), pp. 125–57.

Sepko, Delaina, ‘Curating Music Curation’ (University of Glasgow, 2015) http://theses.gla.ac.uk/6357/ [accessed 24 January 2017].

Seymour, David M., ‘This Is the Piece That Everyone Here Has Come to Experience : The Challenges to Copyright of John Cage’s 4′33″’, Legal Studies, 33.04 (2013), 532–48 https://doi.org/10.1111/j.1748-121X.2012.00262.x.

Small, John, ‘J. C. Bach goes to law’, The Musical Times, 126.1711 (1985), 526 https://dx.doi.org/10.2307/964456

Tyson, Alan, The Authentic English Editions of Beethoven (London: Faber and Faber, 1963).

University of Cambridge. Centre for Intellectual and Information Law, ‘Primary Sources on Copyright 1450-1900’ http://www.copyrighthistory.org/cam/ [accessed 23 March 2016].

van Allen Russell, Ann, ‘“For Instruments Not Intended”: The Second J. C. Bach Lawsuit on JSTOR’, Music & Letters, 83.1 (2002), 3–29

Wood v. Boosey and Another, [court-case] 1867, 2 L.R.340 [referenced by Lockhart, ‘Trial by Ear’]

Wood v. Boosey and Another, [court-case] 1868, 3 L.R.223. [referenced by Lockhart, ‘Trial by Ear’]

Universities (collectively)SH Stamps fabric

Commissioners for Visiting the Universities and Colleges of Scotland., Evidence, Oral and Documentary, Taken and Received by the Commissioners Appointed by His Majesty George IV, July 23rd 1826, and Re-Appointed by His Majesty William IV, October 12th 1830, for Visiting the Universities of Scotland. (London: H.M.S.O., 1837)

Golding, Rosemary, Music and Academia in Victorian Britain (Farnham, Surrey, England ; Burlington, VT: Ashgate, 2013).

House of Commons, Extracts of so Much of the Returns Made by the Universities of Oxford and Cambridge, (pursuant to the Orders of the 1st July 1817 and 20th February Last) as State, Whether Any of the Books Claimed under the Late Copyright Act Have Been Omitted to Be Place, House of Commons Parliamentary Papers, 1818 https://parlipapers.chadwyck.co.uk

Libraries (collectively)SH Stamps fabric

King, Alexander Hyatt, ‘The History of Music Libraries in the United Kingdom’, Fontes, 25.3 (1978), 201–4 https://www.jstor.org/stable/23505247 [accessed 26 April 2017]

King, Alexander Hyatt, ‘Music Circulating Libraries in Britain’, Musical Times, 1978, 134–38. https://www.jstor.org/stable/960610

Lenneberg, Hans, ‘“Early Circulating Libraries and the Dissemination of Music”’, Library Quarterly, 52 (1982), 122–30

Lenneberg, Hans, ‘Music Circulating Libraries’, The Musical Times, 122.1666 (1981), 806  https://www.jstor.org/stable/961241

Lenneberg, Hans, ‘Response to “Early Circulating Libraries and the Dissemination of Music”’, The Library Quarterly, 53.1 (1983), 103–103 https://www.jstor.org/stable/961241

Squire, William Barclay, ‘Libraries and Music Collections’, in Grove’s Dictionary of Music and Musicians, ed. by J. A. (John Alexander) Fuller-Maitland (London: Macmillan, 1906), p. 704

Squire, William Barclay Squire, ‘Musical Libraries and Catalogues’, Proceedings of the Musical Association, 45.1 (1918), 97–111 https://www.jstor.org/stable/765605

Stam, David H. (ed.), International Dictionary of Library Histories (Fitzroy Dearborn Publishers, 2001).

Turbet, Richard, et al, Music Librarianship in the United Kingdom : Fifty Years of the United Kingdom Branch of the International Association of Music Libraries, Archives and Document Centres (Aldershot, Hants: Ashgate, 2003)

Individual Institutions and their LibrariesSH Stamps fabric

2018-06-23 09.10.04

British Library

Arundell James Kennedy Esdaile, The British Museum Library, a Short History and Survey (Westport, Conn.: Greenwood Press, 1979)

British Library (London), Robin C. Alston and Anne Gilbert, The British Library : Past, Present, Future (London: British Library, 1989)

Chesser, Richard, ‘Music in the British Library: The Present and the Future’, Fontes Artis Musicae, 58.3 (2011), 325–32.

Cummings, William H.s, ‘The Formation of a National Musical Library’, Proceedings of the Musical Association, 4.1 (1877), 13–26 https://www.jstor.org/stable/765279

Deliot, Corine, and British Library Collection Metadata Data Services, ‘Downloads’. British Library Music (The British Library, 2018) http://www.bl.uk/bibliographic/download.html#csvmusic

Edwards, Frederick George, ‘The British Museum Library. I. Printed Music’, The Musical Times, 48.778 (1907), 777 https://www.jstor.org/stable/904355

Edwards, Frederick George, ‘The British Museum Library. I. Printed Music (Continued)’, The Musical Times, 49.779 (1908), 11-18 https://www.jstor.org/stable/904535

Edwards, Frederick George, ‘The British Museum Library. I. Printed Music (Concluded)’, The Musical Times, 49.780 (1908), 82–88 https://www.jstor.org/stable/904901

Esdaile, A, The British Museum Library : A Short History and Survey, With an Introduction by Sir Frederic G. Kenyon (London: George Allen & Unwin, 1946)

Harris, Philip Rowland and British Library, The Library of the British Museum : Retrospective Essays on the Department of Printed Books (London: British Library, 1991)

Harris, P. R. (Philip Rowland), ‘Writing a History of the British Museum Library’, Library History, 1998

King, Alexander Hyatt, ‘Music in the British Library’, Fontes, 1976, 101–2

King, Alexander Hyatt, ‘The Music Room of the British Museum 1753-1953. Its History and Organization on JSTOR’, Proceedings of the Royal Musical Association, 1952, pp. 65–79 https://www.jstor.org/stable/766212 [accessed 26 April 2017]

King, Alexander Hyatt, Printed Music in the British Museum : An Account of the Collections, the Catalogues, and Their Formation up to 1920 (London: C. Bingley, 1979)

King, Alexander Hyatt, A Wealth of Music in the Collections of the British Library (Reference Division) and the British Museum (London: C. Bingley, 1983)

King, Alexander Hyatt, ‘William Barclay Squire, 1855–1927, Music Librarian’, The Library, 12.1 (1957), 10–11

Oliphant, Thomas, ‘Memorandum Respecting the Music in the British Museum’, in [Antonio Panizzi], Panizzi Papers 1849-50, 1850, p. fols 294-5 [British Library DH1/1-15]

Scobie, Christopher, ‘Ephemeral Music?: – The “Secondary Music” Collection at the British Library’, Fontes Artis Musicae, 63.1, 21–32

Turner, Malcolm and Arthur Searle, ‘The Music Collections of the British Library Reference Division’, Notes, 38.3 (1982), 499 https://www.jstor.org/stable/939552

Turner, Malcolm, ‘Waving or Drowning? — the Growth of the Music Catalogues in the British Library on JSTOR’, Fontes Artis Musicae, 1989, pp. 297–304 https://www.jstor.org/stable/23507489 [accessed 26 April 2017]

Sherrington, Unity and Guy Oldham, Music Libraries and Instruments. Papers Read at the Joint Congress, Cambridge, 1959 of the International Association of Music Libraries and the Galpin Society …, 1st edn (London: Hinrichsen Edition, 1961)

2017-12-13 11.55.21Lambeth Palace (holds Sion College holdings)

Mandelbrote, Giles, ‘Proposals for Printing a Catalogue of Sion College Library (1721)’, Library and Information History, 32.1–2 (2016), 20–33

Palmer, Richard and Lambeth Palace Library, Catalogues, Shelf Marks and Other Evidence for the History of Lambeth Palace Library 1610-1785 : Lambeth Palace Library Research Guide, (London: Lambeth Palace Library, 2016) http://www.lambethpalacelibrary.org/files/library_records_1610-1785_part_a_1.pdf (The first of five parts covering up to 1952. See http://www.lambethpalacelibrary.org/content/libraryhistory)

2017-12-06 15.27.56National Library of Scotland

Boehme, Almut, ‘Music in the National Library of Scotland’, Fontes Artis Musicae, 58.3 (2011), 308–16

Cadell, Patrick and Ann Matheson, For the Encouragement of Learning : Scotland’s National Library 1689-1989 (Edinburgh: HMSO, 1989)

Duce, Roger, ‘The National Library of Scotland: Music Manuscripts and Special Collections of Printed Music / Roger Duce et Al’, Fontes Artis Musicae, 47.1 (2000), 3–9 https://www.jstor.org/stable/23509032 [accessed 25 November 2015].

National Library of Scotland, National Library of Scotland, ‘Digital Gallery. Special Collections of Printed Music’ https://digital.nls.uk/special-collections-of-printed-music/archive/97135480 [accessed 31 January 2018].

2018-11-07 14.13.33Trinity College Dublin

Parker, Lisa, ‘The Expansion and Development of the Music Degree Syllabus at Trinity College Dublin during the Nineteenth Century’, in Music and Institutions in Nineteenth-Century Britain, ed. Paul Rodmell (Ashgate, 2012), pp. 143–60.

 

Trinity College Dublin University Library

Fox, Peter, ‘The Librarians of Trinity College’, in Anne Walsh and Vincent Kinane, Essays on the History of Trinity College Library, Dublin (Dublin, Ireland: Four Courts Press, 2000)

Fox, Peter, Trinity College Library Dublin : A History (Cambridge ; New York: Cambridge University Press, 2014).

‘Legal Deposit – Collection Management : The Library of Trinity College Dublin: Trinity College Dublin, the University of Dublin, Ireland’ website https://www.tcd.ie/Library/collection-man/legal-deposit.php [accessed 27 January 2016]

Stanley, Roy, ‘Music Collections at Trinity College Dublin’, Brio, 39.2 (2002), 32–37

Walsh, Anne and Vincent Kinane, Essays on the History of Trinity College Library, Dublin (Dublin, Ireland: Four Courts Press, 2000)

Sir Duncan Rice Library Aberdeen looking down from top floorUniversity of Aberdeen

 

Aberdeen University Library

Aberdeen University Library Catalogue – Search Results for Stationers Hall Music https://aulib.abdn.ac.uk/F/?func=find-c&ccl_term=SHE=SH Mus [accessed 26 January 2016]

Beavan, Iain and others, The Library and Archive Collections of the University of Aberdeen : An Introduction and Description (Manchester: Manchester University Press with the University of Aberdeen, 2011)

Beavan, Iain, ‘Marischal College Library, Aberdeen, in the Nineteenth Century: An Overview’, Library & Information History, 31 (2015), 258–79 <https://www.tandfonline.com/doi/full/10.1080/17583489.2016.1145858145858

Cooper, Barry, ‘Catalogue of Early Printed Music in Aberdeen Libraries’, RMA Research Chronicle, 1978, 2–138 https://www.jstor.org/stable/25099342

Cooper, Barry, and Richard Turbet, ‘Catalogue of Early Printed Music in Aberdeen Libraries Supplement, 1979-1988’, RMA Research Chronicle, 33.1 (1990), 151–52 https://www.jstor.org/stable/25099411

Scottish Universities Commission (1826), Report Relative to the University and King’s College of Aberdeen. (London: H.M.S.O., 1830)

Turbet, Richard, ‘Music Deposited by Stationers’ Hall at the Library of the University and King’s College of Aberdeen, 1753-96’, RMA Research Chronicle, 30 (1997), 139–62  https://www.jstor.org/stable/25099459

Turbet, Richard Turbet, ‘Catalogue of Early Music in Aberdeen Libraries: Supplement, 1989-2000’, RMA Research Chronicle, 33.1 (2000), 151–52 https://www.jstor.org/stable/25099477.

University of Cambridge

Cambridge 33 bookshelves Cambridge University Library

Cambridge University Library, ‘Tall Tales: Secrets of the Tower’, 2018 https://www.cam.ac.uk/TallTales [accessed 9 January 2019].

Carr, Reginald Philip, ‘Music Collections in the University Library’, Staff Bulletin, 1985.

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