I’ve just received my own copy of a new publication by Ballad Partners, Thirsty Work and Other Heritages of Folk Song, which contains my most recent Alexander Campbell article: ‘Alexander Campbell’s Song Collecting Tour: ‘The Classic Ground of our Celtic Homer’. There’s a section on Campbell and his musicianship – an entirely new angle which I spent some time contemplating during lockdown.
The book is Ballad Partners’ third book of Folk Song Studies.
I have just catalogued a copy for the Royal Conservatoire of Scotland Library – I listed the contents there, so I’ll repeat the list here for your interest. If you would like to purchase a copy of the book, please visit the Ballad Partners’ website. (I’m unconnected with the publishers – I am just one of the contributors!)
Thirsty work: traditional singing on BBC Radio, 1940-41 / Katie Howson — From Tyneside to Wearside: in search of Sunderland songs / Eileen Richardson — Sam Bennett’s songs / Elaine Bradtke — Newman and Company of Dartmouth and the song tradition of Newfoundland’s South Coast / Anna Kearney Guigne — Railwaymen’s charity concerts, 1888-89 / Colin Bargery — Picturing protest: prints to accompany political songs / Patience Young — ‘That is all the explanation I am at liberty to give in print’: Richard Runciman Terry and Songs from the Sea / Keith Gregson — Drawing from the well : Emma Dusenberry and her old songs of the Ozarks / Eleanor Rodes — Alexander Campbell’s song collecting tour : ‘The Classic Ground of our Celtic Homer’ / Karen McAulay — ‘Don’t let us be strangers’ – William Montgomerie’s fieldwork recordings of Scottish farmworkers, 1952 / Margaret Bennett — ‘No maid in history’s pages’ : the female rebel hero in the Irish ballad tradition / Therese McIntyre — Who is speaking in songs? / David Atkinson